Little Demon in the City of Light: A True Story of Murder and Mesmerism in Belle Époque Paris

A delicious account of a murder most gallic—think CSI Paris meets Georges Simenon—whose lurid combination of sex, brutality, forensics, and hypnotism riveted first a nation and then the world.

Little Demon in the City of Light is the thrilling—and so wonderfully French—story of a gruesome 1889 murder of a lascivious court official at the hands of a ruthless con man and his pliant mistress and the international manhunt, sensational trial, and an inquiry into the limits of hypnotic power that ensued.

In France at the end of the nineteenth century a great debate raged over the question of whether someone could be hypnotically compelled to commit a crime in violation of his or her moral convictions. When Toussaint-Augustin Gouffé entered 3, rue Tronson du Coudray, he expected nothing but a delightful assignation with the comely young Gabrielle Bompard. Instead, he was murdered—hanged!—by her and her companion Michel Eyraud. The body was then stuffed in a trunk and dumped on a riverbank near Lyon.

As the inquiry into the guilt or innocence of the woman the French tabloids dubbed the “Little Demon” escalated, the most respected minds in France debated whether Gabrielle Bompard was the pawn of her mesmerizing lover or simply a coldly calculating murderess. And, at the burning center of it all: Could hypnosis force people to commit crimes against their will?

“Levingston has unearthed a whopper of a story, and lovingly crafted a dense, lyrical yarn that hits the true-crime trifecta of setting, story and so-what. Such books remind us that times may change, but the human animal does not.”
—The New York Times

“Levingston, who is nonfiction book editor of the Washington Post and knows a good story when he sees one, has given it a richly enjoyable telling. Its lurid and improbable plot twists are expertly transposed into a breathless true-crime thriller set against a sumptuous evocation of the boulevards, nightclubs and boudoirs of Belle Époque Paris.”
—Wall Street Journal

“International journalist and Washington Post nonfiction book editor Levingston uses the story of a murder by a foolish girl and her lover to illustrate another side of belle epoque Paris. The author foregoes the tabloid excesses and exploitation of lurid details from that time and focuses on the debate as to whether a person is capable of committing a crime under hypnosis or even post-hypnotic suggestion.” ―Kirkus Reviews

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